“Truth, Beauty, Power” is a bimonthly series where we can share the wonderful details found within the Archive’s Christopher Dresser artworks with you. Every other month we’ll highlight one or more artworks from the Dresser Portfolio as detailed images, galleries, or interactive comparisons. We hope you enjoy them! You can also find out more about Dresser and his relationship with the company in our In Depth introduction to the series.
In this instalment we’ve brought together some of Dresser’s boldest blue and white designs for you to enjoy. Though it’s likely these were drawn before his trip to Japan in 1876 they are all heavily inspired by the country – there are plate designs featuring stands of bamboo and branches of flowering blossom, plaques with symbolic creatures like the crane hovering on the circumference, and geometric fretwork, borders and diaper patterns throughout.
What is Truth, Beauty, Power?
Long since I was so fully impressed with the idea that true art-principles are so perfectly manifested by these three words, that I embodied them in an ornamental device which I painted on my study door, so that all who entered might learn the principles which I sought to manifest in my works.
The imitation is always less beautiful than the thing imitated; and as each material has the power of expressing beauty truthfully, thus the want of truth brings its own punishment. Let the expression of our art ever be truthful.
Shapes which are not beautiful are rarely decorative. A composition that is beautiful must have no parts which could be taken from it and yet leave the remainder equally good or better. The perfectly beautiful is that which admits no improvement.
We now come to consider an art-element or principle of great importance, for if absent from any composition, feebleness or weakness is the result… power is antagonistic to weakness… power means energy; power implies a conqueror. Our compositions, then, must be powerful.
Principles of Decorative Design is available to read at the Internet Archive.